I’m not going to survive this.
I, Rose.
I roared.
that’ll do for now.
I kill with words. Always have, always will. I look forward to the day where I’ll do so again.
the fur, the feathers.
I mean, nothing of value would be lost if I did.
if it falls, it falls
“You trusting fool! How do you know the other world is any better than this?”
“Because it has to be.”
the cavalry is here; mist and shadows all
Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls? The world outside has not become less real because the prisoner cannot see it. In using escape in this way the critics have chosen the wrong word, and, what is more, they are confusing, not always by sincere error, the Escape of the Prisoner with the Flight of the Deserter.
— J.R.R Tolkien
[private] for whenever I start to miss her:
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[private] screaming dead star
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[private] same as it ever was. still.
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perspective
“She’s found a family that understands her at a time of experiencing a relentless depression and loneliness, and that, like any illness, could very well have meant the end of [her], had she not found a tribe willing to take her in. Would she even really survive, returning to modern civilisation? Her fate very well may have ended the same as her sister, in that case, taking her own life as a result of this depression. At least with the Hårga, Dani experiences some actual happiness. Even if she’s chosen at random to be sacrificed for some stupid ritual only a week after the movie ends, we could still argue that even the briefest experience of pure happiness is a better fate than returning to where you don’t belong, to further deteriorate in isolation. She may have withered away and died in darkness, without ever having known the light of life.”
— “Why The Midsommar Discourse Misses the Point”, Terror Formed